Fall 2025
Prof. Natsu Onoda Power
Wednesdays 2-5PM
This course explores approaches and techniques for devising a solo performance.
*Required for all first-year PS Students.*
Prof. Thomas F. DeFrantz
Mon./Wed. 11-12:20PM
Workshop exploration of technologies embedded in performance: robots, media, computer interface. Students create performance projects and discuss theoretical and historical implications of technologies in performance. Hands-on making and engineering workshops to develop basic skills in technological crafts such as circuit design and fabrication toward technologically enhanced performance. No previous experience or programming skills required.
Students will show creative work in each unit of the course.
Prof. Miriam Petty and Prof. Joshua Chambers-Letson
Tuesdays 2-5PM
Recognizing that media and performance—medium and the body—play related but divergent role in the making and unmaking of race, this course draws media studies and performance studies together to engage emergent and enduring texts relevant to issues of race, performance, and media from a variety of disciplines, eras, approaches, and schools of thought. We engage with film, video, new media, performance art, television, popular musical performance and the music video, as well as criticism and theory from Black studies, Asian American studies, and Latinx studies, with particular emphasis on Black feminisms and queer of color critique.
Prof. Thomas F. DeFrantz
Tuesdays 10 – 1PM
Beginning with texts by Glissant and DuBois, this course demands close reading of work from four foundational thinkers of 21st-century Black life based on the African Continent, the Caribbean, Latin America, and the US. Alignments and distensions of concepts revealed by these researchers predict capacities to extend arguments of how Black Life coheres through methods of Black Thought. Graduate course.
Prof. Shayna Silverstein
Thursdays, 9:30 – 12:20PM
Studies if foundational arguments, methods, and problems in performance studies research.
*Required for first-year graduate students.*
Winter 2026
Spring 2026
Notable Past Courses
PERF_ST 305-01 Performance Theory: Critical Race Theory (Joshua Chambers-Letson)
PERF_ST 306 Performance and Race: Racial Histories of the Broadway Musical (Masi Asare)
PERF_ST 319-0 Queer and Trans of Color Critique (Joshua Chambers-Letson)
PERF_ST 330-0-26 Performance and Technology (Thomas DeFrantz)
PERF_ST 330-0-2 Performing Madness (Natsu Onoda Power)
PERF_ST 330-22 Black Gospel Music in America (Kent Brooks)
PERF_ST 330-0-28 Rebellious Women of Gospel Music (Kent Brooks)
PERF_ST 331-01 Field Studies: Opera and Theater Production (Mary Zimmerman)
PERF_STS 335-01 Social Art Tactics (Marcela Fuentes)
PERF_ST 338-0 Family Stories, Memoirs, and Diaries (Bimbola Akinbola)
PERF_ST 509-01 Performance and Pedagogy (Bimbola Akinbola)
PERF_ST 515-0 An Other History of Performance Art (Joshua Chambers-Letson)
PERF_ST 515-0-1 Queer African Bodies (Bimbola Akinbola)
PERF_ST 515-0-1 Black Performance Theory (Thomas DeFrantz)
PERF_ST 515-0-2 Black Feminist Performance (Bimbola Akinbola)
PERF_ST 515-0-25 Afrofuturism (Thomas DeFrantz)
PERF_ST 515-0-26 Transnational Flows of Performance (Marcela Fuentes)
PERF_ST 515-1 Listening: Methods and Issues (Shayna Silverstein)